Tip of the Week — 2/2/09

Posted in Gardening Tips on February 2 2009, by Sonia Uyterhoeven

Garden Economics

Sonia Uyterhoeven is Gardener for Public Education at The New York Botanical Garden.

While many of us are thinking about curtailing our spending in this economic climate and talk of reduction seems more appropriate than expansion, for the plantaholic this could potentially be a sobering year. Fortunately for gardening enthusiasts, our good friends across the Atlantic always have some good advice to offer.

Last summer I spent some time over at the late Christopher Lloyd’s legendary garden, Great Dixter, in England learning from the garden’s life force, Fergus Garrett. Fergus is a marvelous combination of passionate plantsman, colorful and creative designer, and experienced educator who is able to communicate his vision.

During my visit he imparted many important design lessons that I will share with you in this and future blog posts. The gardens at Great Dixter are full; in fact they are exploding with plants arranged in a glorious display. Fergus is a big proponent of interplanting and underplanting. No space is wasted in this economical vision.

The question of any seasoned gardener who has undoubtedly experimented with cramming as many plants as possible into a limited space only to see the creation collapse is “How do you make it succeed?”

Fergus has a multi-layered approach to design. He creates his borders the same way you and I would put together a jigsaw puzzle. He works in a piecemeal way—starting with a few initial pieces and then building and slowly improving on the scene. In this design process, he is constantly exploring the seasonal dimension of the borders, the shapes involved, and the partnerships and interactions that are forming between the plants.

As an experienced plantsman, one key component in his design process is to understand and work with the space that plants need to thrive, either individually or in groups. In the example pictured here, he ingeniously works purple clematis into a hardy fuchsia (unfortunately, not hardy in New York).

The clematis benefits from the support of the lanky stems of the fuchsia, which allows it to climb through in an unhindered and happy fashion. The large, flat shape of the clematis contrasts beautifully with the small tubular flowers on the fuchsia. The design is completed with the color echo of the purple clematis and the dangling purple petals on the fuchsia, both dramatically offset by the fuchsia’s bright red sepals and stamens.

As seen in the photo, the plants form what Fergus refers to as a happy union or marriage, where the plants bring out the best in each other and sustain or support each other as they grow. Next week we will explore his practice of layering plants in more detail.