While living in Kyoto, Japan as a college student, Jan Johnsen first experienced the “restorative powers” of gardens. “On the weekends I went to visit the serene landscapes of that city and they opened my eyes to the sublime loveliness that could be created in a small plot of ground within an urban environment,” she said.
Johnsen, who will be teaching in the Landscape Design Summer Intensive this July, started out as an intern at a high-pressure architecture firm in Japan, but her frequent visits to Kyoto’s treasured gardens changed her life, leading her to work in a landscape architecture office in Osaka. She next studied landscape architecture at the University of Hawaii and years later earned a graduate degree in planning. Today, her serene landscape designs clearly show the influence of Asian culture and thought.
As a former Broadway performer, professional garden photographer, and writer, Ellen Zachos is a very talented NYBG instructor whose container gardening class comes alive with gorgeous slides and dynamic presentations.
Ellen’s career as a gardener began when she got her very first plant–rather than a bouquet–as an opening-night gift, after performing in a Florida dinner theater production of Fiddler on the Roof.
“It was a Spathyphyllum, an ordinary peace lily,” she says, “but to me it was wonderful. I was intrigued, and I had never grown anything. My desire for knowledge just took over. My apartment filled with houseplants and books.”
She went on to study Commercial Horticulture and Ethnobotany at NYBG. After receiving her certifications, she authored several gardening books and founded Acme Plant Stuff in 1997, a company that designs, installs, and maintains both interior and exterior gardens.
Yes, it’s a weed, it’s a biennial, and it’s called mullein (Verbascum bombyciferum). So many visitors asked me about this plant during a recent Conservatory tour of Monet’s Garden that, as soon as I got home, I went straight to the computer to look up more information.
When it comes to weeds, as Ralph Waldo Emerson once said, “A weed is a plant whose virtues have not yet been discovered.” And it seems Monet’s keen eye was quick to see those virtues in mullein, especially when its wooly, whitish leaves were placed near the foliage of poppies.
For our exhibition, Monet’s spring flower garden features lots of poppies in many colors alongside–you guessed it–mullein. Rising over four feet high, the showy yellow flowers really stand out, prompting visitors to ask, “What’s that?”
For Abbey Liebman, a fashion design artist in New York City, enrolling in the Botanical Art Summer Intensives was a rewarding way to broaden her skills in fashion design and the arts that was “well worth the money.”
“After taking just a few of the NYBG classes, I have already done freelance design work in botanical art for an apothecary company’s labels. I’d like to do more work like that or begin selling my own art,” says Abbey. She plans to get a certificate at NYBG over the period of a few years while she continues to work at her regular job.
New Summer Intensive classes in Horticultural Therapy start July 9!
Lori Bloomberg, NYBG Horticultural Therapy student, in the Enid A. Haupt Glass Garden
Among the lesser-known public gardens in New York City is the Enid A. Haupt Glass Garden, an amazing urban oasis located at the Rusk Institute for Rehabilitation. That’s where Lori Bloomberg first learned about horticultural therapy and where she fell in love with the people and the curriculum of the program.
“It just felt like home,” explains Lori. “And after a year of volunteering, I learned about the NYBG Horticultural Therapy Certificate Program with classes in the city, and decided to enroll. I started classes slowly in the regular program, and then I did the Horticultural Therapy Summer Intensive to accelerate the learning schedule.”
Lori majored in fine arts and design in college and she worked in graphic arts most of her career. Discovering the field of horticultural therapy was like finding a new way not only to heal the body and mind, but the spirit as well.
An NYBG graduate, John Gembecki now heads his own landscape company.
John Gembecki was going through some very tough times. Downsized after working 28 years for a major corporation, he knew he had to reinvent himself.
“How do I begin?” he kept asking himself. Then one night at a seminar offered by his local Yorktown Heights conservation board, he met Lauretta Jones, a teacher at The New York Botanical Garden, and everything fell into place.
“I took the landscape design five-week summer intensive program and it was an experience I’ll never forget,” John recounted. “It had been a long time since I had been in school and the ‘intense’ part of the program was hard to handle. But my children reminded me of all the things I told them when they wanted to give up because something was hard.”
Suppose you really can’t draw, but always wished you could…especially when it comes to drawing those gorgeous blooms in your backyard. Well now’s your chance to make your wish come true: Botanical Drawing I is just one of the new summer intensive classes offered by NYBG starting in July. Think of it as a summer camp experience designed for grown-ups.
With the botanical drawing class, in just one week you’ll learn specific techniques for drawing accurately, including professional standards of form, measuring, foreshortening, and perspective. The classes are offered in July (9 through 13) or August (6 through 10), at NYBG and the Midtown Manhattan Center, respectively.
One of the most wonderful native trees in our area is the Shadbush (Amelanchier arborea), which is sometimes called the Serviceberry, Shadblow or Juneberry tree. It’s an all-season beauty, especially in a natural landscape setting, and just one of the many native plants you can learn about in the upcoming class, Gardening with Native Plants.
The small tree features lovely grey bark and showy flowers, as well as terrific berries for pies and gorgeous fall color. But equally beautiful are the stories and folktales that have been associated with this tree for hundreds of years.
One story is that the first settlers in the New England area often planned funeral services at the same time that the tree bloomed. Its blooming was a sign that the ground had thawed sufficiently to be able to dig graves. So the tree became known as the ‘serviceberry tree.’
It’s easy to help the planet and explore your greener side with the NYBG‘s programs. There are loads of Saturday and one-day programs offered at the Midtown Education Center in Manhattan and there’s even outdoor Yoga and Tai Chi offered at the Garden in the Bronx.
It was only a few short months ago that Emily Thompson stood in the White House’s East Room and envisioned the task of “bringing outside in” to create her exciting holiday decor project for the First Family. Now Thompson is sharing some of her inspired creative talents at The New York Botanical Garden. Later this month, she will bring her floral shears to the NYBG’s midtown location, encouraging students to delve into the design elements that embody the forest, bog, and jungle.
Thompson’s work is best known for its sculptural and naturalistic elements as inspired by her native Vermont. Her clients are not only among the internationally famous, such as the Obamas, but include her local Brooklyn friends and restaurants as well. Having studied at the Pennsylvania Academy of Fine Arts and earned an MFA in sculpture at UCLA, Thompson eventually moved to New York, where she set up her shop–Emily Thompson Flowers–on Jay Street in Brooklyn’s DUMBO district, one of the city’s premier art havens.
While living in Kyoto, Japan as a college student, Jan Johnsen first experienced the “restorative powers” of gardens. “On the weekends I went to visit the serene landscapes of that city and they opened my eyes to the sublime loveliness that could be created in a small plot of ground within an urban environment,” she said.
