The other day I was walking through Helen’s Garden of the Senses in the Home Gardening Center and I spied one of my favorite hydrangeas, Hydrangea macrophylla Mini Penny™. These days she is reaching about three feet tall and forms a solid four-foot-wide mass. A profusion of large, pale pink blooms spills over onto the walkway.
The intricate floral structure of this mophead hydrangea means that the blossoms have incredible detail and subtle color changes. Mini Penny™ is a dwarf hydrangea that is ideal for any homeowner’s foundation planting. She plays nicely with other shrubs and perennials and adds a sophisticated flair to any garden. If you plant her, all your neighbors will think you know how to garden–even if you don’t.
Last week we discussed the container displays at the Mosholu Gate entrance (the train station entrance) of the Garden. This week we will take a look at the containers that adorn the recently-opened Bedford Gate.
Bedford Gate was created in honor of the new parking garage that the NYBG built adjacent to the train station is outfitted with the best garage door opener system, this welcomes everyone with a sense of futuristic novelty. Once you park your car in the garage, walk over the Bedford Bridge, cross the street and enter the Garden. The Perennial Garden walk, which takes you past the Home Gardening Center, Seasonal Walk, the Conservatory and the Perennial Garden, is right there. The Garden Café is also situated directly across from the Home Gardening Center. It is certainly a convenient point of entry.
While the Mosholu Gate containers are in full sun, the Bedford Gate is in a shady part of the Garden. Tall trees provide a cool canopy while rhododendrons, azaleas and variegated Japanese hakone grass create the understory planting. The containers at the Bedford Gate are two large, faux terra cotta containers. The display includes some of the annuals we discussed last week. Coleus ‘Red Carpet’ and the golden-leaved sweet potato vine named ‘Margarita’ spill over the edges of the containers. Repeating annuals in multiple container displays throughout the Garden creates a nice sense of continuity.
Sonia Uyterhoeven is the NYBG’s Gardener for Public Education.
The many colors of coleus make container plantings stand out.
One of the easiest ways to get to The New York Botanical Garden is via the Metro-North railroad. If you take the Harlem Line from either Grand Central or 125th Street, you can get to the Garden in 10 to 20 minutes depending on where you board. On the weekends, Metro-North offers inexpensive City Tickets which are just slightly higher in cost than subway fare. Once you get off the train, simply walk across the street and into the Garden.
Upon entering, you will see two large, square in-ground containers directly in front of the ticket booths. This year, these containers are adorned with a dramatic combination of easy-to-grow annuals that highlight the merits of mixing light and dark colors together in the garden.
The large containers include two different types of coleus (Solenostemon)–a staple of any urban container arrangement. Coleus is easy to propagate and comes in a riotous spectrum of colors and combinations. One of the varieties, ‘Alabama Sunset’, is often on gardeners’ “Top Ten” lists for successful summer annuals. It is a striking combination of brick red and golden yellow.
Sonia Uyterhoeven is the NYBG’s Gardener for Public Education.
Gene Sekulow with Bernie Conway, Assistant Gardener
Tuesdays on Plant Talk are generally a time for me to voice my opinions on what we have growing in our plant paradise at The New York Botanical Garden. From time to time, however, I like to interview my colleagues and badger them on their areas of expertise. Today, I am going to share with you a discussion I had with Gene Sekulow–one of the wonderful volunteers helping us to keep the Peggy Rockefeller Rose Garden growing beautifully.
I first asked Gene to name his favorite rose, and on this topic he waxed lyrical. His favorite bloom in the garden is a 2006 Meilland grandiflora introduction named ‘Mother of Pearl’. He likened the pale pink blossom on the rose to the color of Meggie Cleary’s evening dress in The Thorn Birds. For those of you with a penchant for sentimentality, this is the scene when Meggie glides down the stairs and the besotted priest, Father Ralph de Bricassart, realizes that she is no longer a child but a woman. The dress was a rose dress–as Father Ralph describes, “ashes of roses.”
Sonia Uyterhoeven is the NYBG’s Gardener for Public Education.
Last week we discussed disease resistant roses. This week we will continue along the same vein with a discussion of Earth-Kind® roses.
The concept of Earth-Kind® roses began in Texas in the late 1990s, when a professor at Texas A&M was asked for recommendations on roses that were attractive and low-maintenance. The professor realized that no systematic study had been done in this area and set about creating the Earth-Kind® trials.
The creators of the program set up strict protocols that could be followed all around the country. The goal of the program was to eliminate the use of fertilizer, reduce the use of insecticides and fungicides by 98%, eliminate annual pruning and deadheading and reduce supplemental irrigation by at least 70%.
Sonia Uyterhoeven is the NYBG’s Gardener for Public Education.
Our discussions of vegetable gardens are going to be temporarily cut short due to the glorious activity in the world of roses. For the past week, the NYBG‘s Peggy Rockefeller Rose Garden has been in peak bloom, exuding a luxurious perfume that can be experienced from a distance.
This past Saturday, The New York Botanical Garden joined the Manhattan Rose Society in hosting the 12th annual Great Rosarians of the World symposium. They may sound like an imposing, exclusive collective, yet they are a jovial group that welcomes even the most casual rose grower. The symposium is open to the public and offered as a course in our Continuing Education catalog.
Sonia Uyterhoeven is the NYBG‘s Gardener for Public Education.
Today I would like to tackle a few problems that we commonly encounter in the vegetable garden. How do we maximize space? How do we prevent the feast or famine cycle where we either have nothing to show for our labor, or too much? If you are working with limited space, as most of us are, organizing your vegetable garden in such a way that you maximize productivity and get the right bang for your buck is important. There are several strategies that can help you plan your garden creatively and effectively.
The first thing we need to do is to take a look at how our vegetables grow. Are we planting a vegetable that will, once it reaches the age of maturity, produce consistently throughout the season? Tomatoes, eggplants, and peppers fall into this category. You will just need to add a few of these vegetables into your garden to get a steady supply throughout the summer. Or are we planting crops that either grow quickly or produce one large harvest? I am thinking now of head lettuce, beets, radishes, carrots and turnips.
When I think of companion planting, color, creativity, combinations and good garden fun come to mind. The premise behind companion planting is that some plants give off substances in their leaves and roots that affect other plants. It is true that plants have unique and complex chemical properties that help them fend off attack from pests and diseases.
It makes sense to extrapolate that they are capable of influencing other plants that are grown in their vicinity. Some people swear by the principle of companion planting and others eschew the concept. This blog is for those who embrace it or for those who simply like beautiful vegetable gardens.
Sonia Uyterhoeven is the NYBG‘s Gardener for Public Education.
Monet’s garden was a living canvas. In this space he experimented with his love of color and form. His knowledge of color theory and his artist’s eye informed the choices he made in his garden design. In turn, they offer good suggestions for the homeowner who is about to embark on their own planting project.
Last week we mentioned how one of Monet’s prominent concerns was capturing light and atmosphere. His garden was no different from the scenes he painted on his canvas. The color sequences that he created in his garden echoed changes in light and weather that he observed in the space. He used his artist’s eye to accentuate these changes and enhance the atmospheric quality of the place.
Sonia Uyterhoeven is the NYBG‘s Gardener for Public Education.
This year we are celebrating the life of the artist and gardener, Claude Monet. From May 19th until October 21st you will find our show houses, water lily pools, and exhibition galleries re-creating and displaying pieces of the famous Impressionist’s life.
The artist’s palette, photographs, and records of his famous garden–as well as two rarely seen paintings of irises–will be on view in our Library’s exhibition gallery. Our Ross gallery will display photographs of Giverny through the seasons, produced by an American gardener who was involved in the restoration of the legendary garden.
Our show houses and water lily pools will capture the essence of Giverny, including the iconic Japanese foot bridge and his Grand Allée. Throughout the summer we will discuss Monet as an artist and gardener, taking a look at his use of light and color in the garden and exploring some take-home lessons from his design strategies and gardening techniques.
The other day I was walking through Helen’s Garden of the Senses in the Home Gardening Center and I spied one of my favorite hydrangeas, Hydrangea macrophylla Mini Penny™. These days she is reaching about three feet tall and forms a solid four-foot-wide mass. A profusion of large, pale pink blooms spills over onto the walkway.
