Morning Eye Candy: Chrysanthemum Crazy
Posted in Exhibitions, Kiku on November 13 2012, by Matt Newman
Remember: it only lasts until Sunday, November 18!
Photo by Ivo M. Vermeulen
Inside The New York Botanical Garden
Exhibitions
Japan’s Kiku Return
Posted in Exhibitions, Kiku on November 5 2012, by Matt Newman
Captured under glass in an intimate snapshot of a generations-old artform, this year’s Kiku collection is now up and running in the Bourke-Sullivan Display House, a wing of the Nolen Greenhouses for Living Collections at the NYBG. And as exhibitions go, this one–as always–is a vital testament to the heights of beauty and expertise that horticulture can reach.
Like so many of our exhibitions, Nolen’s master horticulturists have spent months behind the scenes, sculpting and training otherwise commonplace flowers into shapes unlike anything seen in a workaday home garden. Thousands of chrysanthemum blooms across a rainbow of colors now take on the forms of Ogiku, Ozukuri, and Shino-Tsukuri. Now, those names may strike mysterious chords at first, but they’re easy enough to understand–if not recreate–once you spend a little time with our handy, dandy primer.
Muddy Waters
Posted in Exhibitions, Monet's Garden on October 9 2012, by Sonia Uyterhoeven
Sonia Uyterhoeven is the NYBG‘s Gardener for Public Education.
For centuries, water lilies have been thought of as emblems of purity and beauty. Philosophers marveled at how a stunning, symmetrically perfect flower–sometimes with a sweet, subtle perfume–was capable of arising from such muddy waters. But if the pristine blooms and large, glossy lily pads give the illusion of cleanliness, every gardener who has ever reached down into a pond to deadhead a spent bloom will attest to the fact that underneath the façade of exquisite beauty is a slimy mess.
As we approach the end of our Monet’s Garden exhibition (Sunday, October 21), the water lily display–one of the centerpieces of the show–is still in its full glory. But while this exhibition took its inspiration from Monet’s garden at Giverny, the artist found his love of the flower elsewhere. Monet’s water garden was transformed when he met Joseph Bory Latour-Marliac, the son of a wealthy, landowning French family. After studying law in Paris, Latour-Marliac returned to his home near Bordeaux to help his father manage his property. As an avid botanist, he soon developed a vast network with horticultural societies and botanists throughout the world.
Monumental Sculpture in Motion
Posted in Exhibitions, Video on September 27 2012, by Matt Newman
Nothing drives home the sheer enormity of our latest exhibition, Manolo Valdés: Monumental Sculpture, like seeing it built from the ground up. Over the course of two weeks, dozens of people and at least a few multi-ton machines were on the scene to put the final strokes on a work many, many months in the making. Naturally, we couldn’t pass up capturing some video.
From the first sketch put to paper in Valdés’ Manhattan studio, to the foundry in Madrid, and back across the 4,000 miles separating Spain and New York City, this production has proven nothing short of a massive undertaking. Carrying the collection of sculptures from the docks required a fleet of seven flatbed trucks. Once at the Garden, towering cranes were called in, gingerly rolling onto our lawns to settle each piece into its chosen site. And at 50 feet across and weighing nearly 20 tons, shipping any one of these sculptures as a single piece was out of the question; assembly called for even more precision cranework, with muscle on the ground to ensure everything was arranged to specification.
Monumental Sculpture Takes Shape
Posted in Exhibitions on September 13 2012, by Matt Newman
We’re suckers for a good surprise (as long as we’re the ones behind it). But it’s a spot more difficult to keep the main event under wraps when it comes to exhibitions this impressive. Manolo Valdés casts a formidable shadow, sparing nothing to create some of the most striking–and colossal–visuals for our upcoming Monumental Sculpture exhibit; for the uninitiated, that’s our next major show here at the NYBG. And this week we jumped headlong into preparation for the September 22 opening.
All told, we couldn’t exactly sneak these sculptures into the Garden. Some of them, such as the Alhambra piece, weigh in at 40,000 pounds with spans reaching nearly 50 lateral feet; they’re not what you’d call statuettes. Arranging these monoliths has proven a spectacle in itself, drawing streams of visitors and employees alike, all snapping away with their cameras as we uncrate and maneuver massive heads and latticework by truck-mounted cranes. It’s a careful and dramatic process that we were able to capture a bit of in the last couple of days.
The Garden Anthology
Posted in Monet's Garden on September 12 2012, by Matt Newman
Long before Lost Generation icons like Hemingway and Stein held court with Joyce and Fitzgerald, another cadre of artists called Paris home: “Les Mardistes,” named for the Tuesdays (in French: mardi) on which they often met. Imagine stepping into a parlor with Stéphane Mallarmé, Paul Verlaine, W.B. Yeats, Oscar Wilde, and none other than the Impressionist himself, Claude Monet–you get the idea. When it rains, it pours, and late 19th-century France saw a veritable flood of the creative spirit. At the NYBG, we’re hoping you’ll join us in recreating it through The Garden Anthology, and all poets are welcome!
More than an homage to Giverny or an exhibition of Monet’s art, Monet’s Garden is a seasonal celebration of that prolific muse. No static thing, it moved fluidly between the arts, touching the Impressionist painter just as it inspired the Symbolist poets. In the Perennial Garden‘s Poetry Walk, you can see the work of Monet’s lyrical forebears and contemporaries proudly displayed among our summer blooms. Better yet, the Salon Series regales visitors with the words of the French writers–Verlaine, Mallarmé, Baudelaire, Rimbaud–as recited by some of the finest New York poets to have studied them.
Manolo Valdés: Teasing Concept
Posted in Exhibitions on August 27 2012, by Karen Daubmann
Ed. Note: While Monet’s Garden continues to enamor thousands of visitors to the NYBG through the fall, we’re always preparing for new and intriguing exhibitions. This includes our latest artistic explorations, which will culminate with a long-awaited unveiling in late September: the renowned sculptures of Manolo Valdés. As our Director of Exhibitions and Seasonal Displays, Karen Daubmann offers an advance glimpse into the artist’s creative process.
A few of us were lucky enough to have the opportunity to visit the New York studio of artist Manolo Valdés a few weeks back. We were working on a plan for exhibiting his maquettes in the Orchid Rotunda of the Library Building during the course of his exhibition, Manolo Valdés: Monumental Sculpture. Though the exhibit on the grounds opens on September 22, the maquette display will open on November 3.
Maquettes are small-scale models of artworks which help an artist to develop an idea. You can think of it as a rough draft, or a sort of “sketch” of a sculpture, which helps the artist to visualize and test shapes and ideas without incurring the costs and effort necessary to produce the full-sized piece. You can see from the photos below the variety of ways in which Valdés has explored the butterfly motif in his work.
Monet Evenings: Dressing the Part
Posted in Monet's Garden on July 11 2012, by Ann Rafalko
Half the fun of attending an evening event like Monet Evenings Featuring Water Lily Concerts, is getting dressed for it (or at least I think so). You want to look fancy, but not too dressed up; pretty, but not too girly to sit on the lawn; and be physically cool, while still looking cool.
Anyone around the NYBG digital media offices can attest to the fact that I have a workplace uniform and should in no way be trusted to give fashion advice, so I turned to Lilit Marcus.
Lilit is a New Yorker by way of North Carolina, which means she likes fried chicken and bagels equally (you can see why I trust her, right?). Lilit’s first book, Save the Assistants, based on the popular blog of the same name, was published in 2010. Her work has also appeared in Glamour, the New York Post, the Forward, and Cosmopolitan. Oh, and she’s mighty stylish, which makes her the perfect person to pull this chic little outfit together, just in time for the next Monet Evening, Thursday, July 19, 6-9 p.m. Take it away Lilit!
Monet’s Water Lilies: Inspiration Meets Obsession
Posted in Gardens and Collections, Monet's Garden on July 5 2012, by Matt Newman
You could call our spotlight on the lotus blossoms an opening act. The true marquee headliners of Monet’s Garden–the prima donnas of our current collection–are without a doubt their nearby neighbors, the water lilies. There is no other flower in the landscape of spring, summer, or fall that so thoroughly represents the oeuvre of master Impressionist Claude Monet.
In the closing years of his life, the genus Nymphaea would come to define Monet’s obsession. He pulled dozens and dozens of scenes from that iconic spot by Giverny’s Japanese bridge, bringing concept to canvas with a verve few painters could match, then or now. Today, his water lily series stands as the ostensible height of his contribution to the history of art.
“It took me time to understand my water lilies,” Monet once wrote. “I had planted them for the pleasure of it; I grew them without ever thinking of painting them.”
The Kinks Play Giverny
Posted in Monet's Garden on June 21 2012, by Matt Newman
What does the British Invasion of the ’60s have to do with the NYBG‘s Water Lily Pool? Well, some of our visitors think there might be a connection there, but the validity of the link has proven elusive. So, in looking at the water lilies now growing in the outdoor pond–many of them breeds championed by Monet at Giverny–I’m here to set the record straight. Come rock, roll, or high water.
If you spend a few minutes perusing the signage around the water lilies in our pool, you’ll doubtless run into the culprit at the center of the stir. Many of the cultivar names in the collection lean toward Latinized or Asian-inspired nomenclature, but not this one. Even with its flowers yet to bloom, there’s more than one visitor to Monet’s Garden who’s thrown a double take at Nymphaea ‘Ray Davies’.