During the last week of June, the Humanities Institute at NYBG hosted a special Study Day for a group of landscape historians and professionals, including architectural historians, garden and landscape designers, and urban planners. The aim of this program was to provide current students and professionals with a comprehensive insider tour of The New York Botanical Garden as one of America’s foremost urban green spaces—a national landmark comprising historic buildings and rare plant and book collections.
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
Citizen Scientist: Searching for Heroes and Hope in an Age of Extinction is a book from popular science writer Mary Ellen Hannibal on the topic of citizen science.
Citizen science is scientific research conducted, in whole or in part, by amateur (or nonprofessional) scientists. Citizen science projects can include all manner of tasks and objectives, and many popular projects involve non-scientists making reports about organisms they have observed, such as bloom times, or phenology, of various plants. Still other projects involve virtual volunteering, such as transcribing specimen label data of herbarium sheets (or other specimens) that have been digitized and made available online.
In her book, Hannibal writes about her experiences working as a citizen scientist on various projects, mostly involving the observation of animals under the direction of trained professional scientists. It is clear that Hannibal enjoys the English language, and this memoir of sorts is littered with references to literary works, historical figures, and poetry-like observations of the natural world. It’s not really a science book at all, although Hannibal does write in praise of the natural world.
The LuEsther T. Mertz Library will like to share the newest titles to our circulating children’s collection. The featured titles below are extraordinary examples of community efforts and what can truly be accomplished when we work together. Communities can take shape in a variety of ways so whatever your community looks like and wherever it is located, these titles will surely inspire you to build upon the strengths of your friends and neighbors to help make a difference in your community. From our community to yours, we hope you enjoy these titles the next time you visit us in the library!
The Flower Man is a wordless picture book that invites readers to follow a small elderly man as he travels from town to town bringing color and happiness to everyone he encounters. A simple garden or a single flower can bring joy to all; The Flower Man does just that! Author Mark Ludy is sending a clear message: investing in the beautification of your neighborhood with color, flowers and greenery will directly benefit the residence and visitors, leading to a friendlier and healthier environment.
As each page begins to fill with color readers may find a smile is hard to contain. Ludy’s intentional use of color is meant to elicit emotion and it is certainly successful! From monochrome to a full color palette readers will experience a transformation like no other. Look carefully as you turn each page as the intricate details of the town should not be overlooked. The neighborhood pictured is home to many nameless characters that offer themselves to the imagination of an observant reader. The Flower Man was an instant favorite amongst the LuEsther T. Mertz Library staff and I believe it will continue to be for many years to come. We’re inviting all readers of all reading levels to experience the colorful world of The Flower Man! This title is available for check out for library cardholders. Hope to see you in the library!
On May 12, 2017, the Humanities Institute of The New York Botanical Garden and the New York Academy of Medicine Library co-presented the Garden’s Science-Humanities Seminar featuring the French scholar Samir Boumediene, from the Centre National de la Recherche Scientifique, Lyon. Boumediene’s talk was entitled A New World of Medicines: Amerindian Pharmacopoeias During the Spanish Colonization, and he spoke to a completely filled Mertz Library Reading Room. Boumediene’s presentation focused on his new—and already largely sold out—book, which, based on his Ph.D. dissertation, had just recently been published in France as La Colonisation du Savoir, Une Histoire des Plantes Médicinales du Nouveau Monde,1492–1750 (Vaulx-en-Velin: Les Éditions des Mondes à Faire, 2016).
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
Seeing Trees, Seeing Flowers, and Seeing Seeds are three beautiful books by the photographer Robert Llewellyn with authors Nancy Ross Hugo and Teri Dunn Chace. Together, these three books represent Llewellyn’s fascination with the plant kingdom. This series of works explores mainly the reproductive parts of plants with text accompanying almost painterly photographs of different species.
In a 2015 interview for Mother Nature Network, Llewellyn stated of himself that, “there was a sudden realization that trees were alive. They were another civilization living with us on Earth. They were born and they died. They made flowers and seeds and sent their children out into the world. I wanted to know more, so I studied and photographed parts on the tree. I started looking at Earth as if I was visiting another planet for the first time. I was amazed at what was hiding in plain sight.”
This sense of amazement has been successfully transferred to readers of his works. Using a technique called “focus stacking,” Llewellyn may take 100 frames or more of a plant portrait with each photograph having a different focal point. Then the frames are input to a “stacking” software and rendered as a single image.
This technique allows for Llewellyn to capture botanical details that even the most steady-handed traditional macro-photographer would be unlikely to achieve.
The large color photographs in the Seeing series make the plants seem, at times, unreal or alien in their beauty. Llewellyn for the most part seems to focus on species native to the Mid-Atlantic United States, possibly because of his need to photograph live material as opposed to herbarium specimens. As a result, readers hailing from this region will recognize many of the plants in these three works, gaining a new perspective on familiar friends. Of the three works, my favorite is Seeing Flowers. In this book, author Teri Dunn Chace has arranged the text so that the flower photographs are grouped by botanical family. This adds an element of botanical scholarship to what might otherwise be more of an art book. Indeed, my only real criticism of the Seeing series is that the authors and photographer don’t always provide botanical names for the organisms featured. Unfortunately, this means that Seeing Trees and Seeing Seeds have less scientific or teaching value than they do artistic merit.
Many of Llewellyn’s photographs can be viewed online. If your interest is piqued by his website, I strongly encourage you to seek out the Seeing series, and prepare for your breath to be taken away.
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
I recently discovered Amy Pennington and almost immediately fell in love with her simple, straightforward books written for city-dwellers trying to eat thriftily, sustainably, and seasonally. I reviewed both Urban Pantry and Fresh Pantry earlier this year and now have the pleasure of reviewing Apartment Gardening and Salad Days, both from Sasquatch Books, an independent press located in Seattle, WA.
Apartment Gardening is geared toward readers who really want to grow garden plants at home but have no yard and little space. While Pennington has written her guide for those who have a deck or porch (sadly, not the case for many!), she’s quick to emphasize that if you have good sun *somewhere* in your urban dwelling, you can try your hand at growing vegetables, fruit, herbs, or even flowers. Not all vegetables can be successfully grown in containers, but there are a lot of vegetables that will do quite well with good sunlight, soil, and water. Roughly 80 pages of this economically sized book detail garden setup and care, with the rest of the book (181 pages total) focused on recipes, craft projects, and other simple garden tricks and tips for apartment dwellers and vegetable lovers. Apartment Gardening is a great book for new gardeners living in the urban jungle or for experienced gardeners who find themselves with limited garden space and the desire (or need!) to grow a “garden.”
Salad Days: Boost Your Health and Happiness with 75 Simple, Satisfying Recipes for Greens, Grains, Proteins, and More is another nice book released earlier this year. Pennington shares simple but delicious recipes for the home cook. “Can a salad make you happy?” These salads created by Pennington are designed to do just that. Although you can’t grow all of the ingredients in your apartment garden, the ingredients are mostly straight-forward. Sure, salmon and avocado have their day, but a beet salad recipe contains only 10 ingredients, and that includes a dressing recipe.
Overall, I just plain like Pennington’s love of growing and eating vegetables, her commitment to flavor diversity, and her sense of economy. I look forward to re-reading these four books and seeing what she thinks up next.
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
Growing a Revolution: Bringing Our Soil Back to Life by David R. Montgomery challenges the “norm” in industrial farming soil care. With research, interviews, and an engaging style of writing, Montgomery invites readers and farmers alike to consider the ways in which soil fertility can be improved with better soil care.
Growing a Revolution follows fast on the heels of Montgomery’s 2016 book, The hidden half of nature : the microbial roots of life and health. Montgomery, a professor of geomorphology at the University of Washington, has made a career out of soil. Revolution is the work of an author who is comfortable with his chosen subject and skilled at writing for a popular audience. The question that Montgomery poses to readers is simple, yet daunting in its scope. “What if there was a relatively simple, cost-effective way to help feed the world, reduce pollution, pull carbon from the atmosphere, protect biodiversity, and make farmers money to boot?” The answer, as readers might guess, is to cultivate good soil health.
On Friday, March 24, 2017, the Humanities Institute hosted the Food, Tech, and the City colloquium, organized in conjunction with Fordham University’s Urban Consortium.
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
Land on Fire: The New Reality of Wildfire in the West by Gary Ferguson is a new book from Timber Press, representing the publisher’s recent dedicated exploration into more ecologically minded and popular science books.
Land on Fire blends numerous color photographs with a narrative exploring the where, why, and when of wildfires in the western United States. Ferguson is quick to point out that fire, controlled properly, can be a valuable part of land management. Controlled (or prescribed) burns are used throughout the world, including in the New Jersey Pine Barrens, a fire-dependent ecosystem close to home.
For those who have not lived with the threat of forest fires, the images in Land on Fire are staggering and sobering. Decades of fire suppression, drought, climate change, and mass die-off of certain tree species because of invasive insects have all played their roles in wildfire season burning longer and hotter in the west. Thankfully, Ferguson ends Land on Fire with a chapter on risk reduction, presenting the three goals of the National Cohesive Wildland Fire Management Strategy—“first, to improve the ability of firefighters to respond to such emergencies; second, to restore fire-adapted landscapes (in other words, undoing some of the damage caused by 80 years of aggressive fire suppression); and finally, to create fire-adapted communities (downs and subdivisions … that will be far less prone to catastrophe from wildfire).” Meeting these three goals would, in theory, allow for better safety for people and property, save billions of dollars otherwise spent on suppression, and stabilize fire-dependent ecosystems that have been mismanaged.
Land on Fire is not totally a treatise on climate change, but it is a stark portrait of a world out of balance, thanks mostly in part to the actions of humans. Ferguson ends by writing, “clearly, we’ve still got a lot to figure out. But the incentives are high.”
Esther Jackson is the Public Services Librarian at NYBG’s LuEsther T. Mertz Library where she manages Reference and Circulation services and oversees the Plant Information Office. She spends much of her time assisting researchers, providing instruction related to library resources, and collaborating with NYBG staff on various projects related to Garden initiatives and events.
The High Line, “a public park built on a historic freight rail line elevated above the streets on Manhattan’s West Side,” is a popular NYC attraction for locals and tourists alike. Before reading Gardens of the High Line: Elevating the Nature of Modern Landscapes by Piet Oudolf and Rick Darke, I had the benefit of reading a wonderful review of the book written by Patricia Jonas for the Council on Botanical and Horticultural Libraries Newsletter. In her review, after a summary of the many books published on the High Line garden over the past six years, Jonas writes, “Could there possibly be any more vital books about the High Line yet to be published? Well, yes. Gardens of the High Line is the icing on all of this publishing and the only book to focus exclusively on the famous park’s planting design and the plants.”
Gardens of the High Line is exquisite, and a treat for regular High Line visitors and those who can only admire the space from afar. In the book’s introduction, Friends of the Highline co-founder Robert Hammond writes, “when I first stepped up on the High Line in 1999, I truly fell in love. What I fell in love with was the tension. It was there in the juxtaposition between the hard and the soft, the wild grasses and billboards, the industrial relics and natural landscape, the views of both wildflowers and the Empire State Building. It was ugly and beautiful at the same time. And it’s that tension that gives the High Line its power.” This tension is captured in the photographs of Gardens of the High Line, although Lorraine Ferguson’s graphic design of the volume makes even the most “ugly” portraits of the space seem beautiful.
Less focused on the history of the space and more concerned with the gardens themselves, Gardens of the Highline is a plant lover’s dream. Each of the High Line’s 13 gardens are profiled and described with extensive photographs, including wonderful aerial photographs. These aerial shots, in particular, offer a new glimpse into this popular site’s overarching design ethos.
It’s unlikely that you’ll ever find the High Line as contemplative and empty as it appears in many of the Gardens of the High Lines photographs, but the book reminds readers why this dynamic space is so special and so worth returning to again and again throughout the seasons and years.