Career-Changer Redirected Through Continuing Education Classes
Valerie D’Antonio holds a Certificate in Landscape Design from The New York Botanical Garden’s Continuing Education program and is principal and owner of D’Antonio Landscape Design, Inc. She will tell her career-changing story during the free Career Night on February 3.
In the early 1980s I bought a small row house in Hoboken, N.J., on a street named Garden (who knew?!). After the closing I popped open a bottle of Moet, looked out the kitchen window at my new backyard, and thought, “What do I do with that space?”
At the time I worked for AT&T, and co-workers pointed me in the direction of The New York Botanical Garden, where I began to seek gardening advice. I decided to start small and attended NYBG’s one-day classes on window-box gardening. The classes gave me the confidence to plant and install boxes on the five front windows of my three-story house. The bright red geraniums, purple lobelia, and white alyssum were striking against the house’s white-painted brick. Soon after, my neighbors began asking me to plant their window boxes.
Twenty years later, after I left my corporate job, NYBG again came to my rescue. I was still lamenting my lackluster backyard when I received the Garden’s Continuing Education catalog where I found that the Garden offers certificate programs, lectures, and seminars aimed at developing a career in the world of horticulture.
Children and Families Explore the Hidden Wonders of the Winter Garden
Noelle V. Dor is Museum Education Intern in the Everett Children’s Adventure Garden.
Oh, the weather outside may be frightful… But the Everett Children’s Adventure Garden is still delightful!
Though the vibrant colors of autumn have long faded away and freezing temperatures command us to slow down and stay in, there is a wealth of hidden wonders to be discovered in our Winter Garden, from the vivid reds of bare dogwood branches to tenacious crabapples, darting cardinals, and the secret lives of leaf buds. Various little treasures brighten up the muted landscape—and they can brighten your winter blues, too!
The selection of activities available for children and their families includes the creation of a scientific field notebook, which will guide them through a winter scavenger hunt and sensory exploration of the Children’s Adventure Garden; a fascinating round in the world of tree rings and their own life stories; and a winter collage craft using fallen plant parts collected from the garden.
Laura Collier is Marketing Associate at The New York Botanical Garden.
Best-in-Show from the Royal Horticultural Society, the Dianne Bouchier Founder’s Award for Excellence in Botanical Art, president of the American Society of Botanical Artists—with these accolades it would be hard to guess that instructor Dick Rauh had a career in motion picture special effects and graphics before he began to pursue botanical illustration.
When his wife enrolled in floral design classes at The New York Botanical Garden, Dick, too, began taking classes at the Garden, a little before retiring. He had always liked to draw trees, and while he was taking gardening classes, NYBG was starting its Botanical Illustration program. Dick began taking the art classes and by 1986 had completed his Certificate in Botanical Art and Illustration.
Dick’s connection with the Garden deepened as he continued to study. Because he was creating illustrations for scientists, he took botany classes to gain a better understanding of the plants and their makeup and also earned a doctorate in biological sciences from CUNY.
The life of a gardener is filled with many “Aha!” moments. But when I opened the NYBG Fall/Winter Catalog and turned to page 62, to the winter gardening lecture series lineup of speakers, it was not an “Aha!” moment but rather a “Wow!” moment. Three names jumped off the page: Dan Pearson, Barbara Damrosch and Fritz Haeg. From the Ground Up: Gardens Re-Imagined is the perfect name for a series featuring this rabble-rousing trio.
In the forward to Dan Pearson’s new book, Spirit: Garden Inspiration, Beth Chatto writes, “Dan Pearson shows how the most intimidating situations can be transformed. It takes a rare mind and eye to break away from our traditional view of what makes a garden…” Dan’s also a great plantsman, as I well know, but that’s not why I’m going to his lecture on January 21. I am going because I know that Dan will challenge my notions of order, color, and texture.
In 2003 I opened a wedding planning company, NY Engagements, LLC, for the engaged professional woman on the go. Soon I started incorporating lighting services, linen rentals, and even basic floral work for budget-conscious brides.
A big break—and a turning point—came when my planning and floral services were filmed for the TV show Whose Wedding Is It Anyway? on the Style Network. I realized that my floral and planning services were a great combination, and I decided to dig deeper into floral design to expand my business. I discovered NYBG, and I knew that its reputation would give my business the needed backbone to support my endeavor.
It took me about a year and a half to complete the required courses and internship to attain the Floral Design Certificate. The required introductory floral design classes give students the skills to use in all future design work. Students learn about flower varieties, different design shapes and styles, color trends, and the care and conditioning of flowers. The advanced and elective courses broaden those horizons, allowing students to experiment with interesting flowers and explore contemporary arrangement styles. On the business end, the practical planning course work covers how to price arrangements and make money.
Floral design students participate in these courses for all different reasons: to work in a flower shop and to re-design their Feather Flags, to start their own shop or specialty flower business, or simply to expand their palette of flowers for personal enjoyment. The courses really provide a good range of information to appeal to these different interests. For those focused on event work like me, I found a wide array of courses to choose from such as Grand Scale Arrangements and Elegant NYC Centerpieces. The courses took the mystery out of designing, and I had many “aha” moments as I learned some important design tips. The teachers all are passionate about passing on their knowledge to students so that when they go out in the industry they will be able to meet the challenges that face them.
Follow this Step-by-Step Guide by NYBG Adult Education Instructor
John Capobianco, an instructor in the Adult Education Program of The New York Botanical Garden, is a four-time national gold medal winner for chrysanthemum bonsai display. He is president of the Long Island Chrysanthemum Society, a past president of the Bonsai Society of Greater New York, and a board member of the National Chrysanthemum Society.
As Kiku in the Japanese Autumn Garden makes apparent, chrysanthemums are among the most versatile woody perennials around. They lend themselves to being trained into many different forms.
You can try your hand at chrysanthemum bonsai by creating a slab planting—an arrangement done on a relatively flat stone to depict a lone tree on a cliff or a forest on an island or whatever you may imagine.
Unlike other forms of bonsai, slab plantings start with the container, in this case a flat rock or ceramic piece. It should be oblong; one with steps, crags, or an irregular outline makes it more interesting. Stones have movement and a flow to them. Examine the stone and choose the position you wish to highlight and harmonize with the planting.
Decide on the cultivar you want to grow, and get to work making cuttings or placing an order. Plan on growing more than you will need as some will get damaged and be unusable when it comes time to assemble the planting. Expect to reject about 50 percent of what you grow. You’ll want to use an odd number for the planting group, which makes for a more stimulating design.
To grow your chrysanthemum “trees,” put plants in a few different-size containers—2½ , 3, 4, and 6 inches. Much like the myth about goldfish, the mums will only grow to the size of their environment. Those in the small containers will have less water and nutrients and so won’t grow as thick or as tall. This will ensure that your trees will be of different heights and thicknesses in the group planting.
Pinch the plants to encourage branching into a tree form. If the line of a trunk needs to be altered, you may need to wire the plant to the desired form. This takes skill. Be careful not to break branches, and don’t trap leaves under the wire. Practice on your rejects.
Susan Fraser is Director of the LuEsther T. Mertz Library.
Paradigm shifts have altered the way knowledge is communicated—from the written word to the printed word and now to the digital word. The proliferation of electronic resources and rapid changes in technology require increased flexibility in how libraries acquire and disseminate knowledge. One remarkable example is the Biodiversity Heritage Library (BHL), a consortium of natural history libraries that are digitizing and making freely available the world’s literature on biodiversity. Collectively, the 12-member consortium holds most of the recorded knowledge of the natural world, over 2 million volumes.
The Botanical Garden is a founding member of the BHL, which began in 2006 and is expanding to include a BHL Europe and partners in China and Australia. It has rapidly become an international sensation.
The project saves immense hours of research time for both information seekers and library staff. The Mertz Library research staff can now refer to the BHL portal to fill interlibrary loan requests or research inquires. Previously, staff would photocopy pages of books or journal articles upon request. Now, if a scientist in South Africa needs to reference The Grasses and Grasslands of South Africa (1918) for instance, she can do so on her own and from her own computer.
By cooperating in this multi-institutional effort, BHL members can perform bulk digitization with limited risk of duplication, lack of standardization, or loss of intellectual integrity while providing a huge amount of biodiversity material online. To date, the Mertz Library has scanned over 6,000 volumes amounting to over 3 million pages. The BHL portal currently contains almost 15,000 titles and 16 million pages, and it continues to grow.
All-Day Workshop and Dozens of Classes Help You Along
Duncan Himmelman, Ph.D., is Program Manager for Continuing Education.
The first time I heard Grandpa say “Let’s put the garden to bed” I had visions of pillows nestled between the tomato plants. Of course, being 5 years old, what would I know about finishing up in the garden, let alone “putting it to bed”?
Now, after decades of tending to gardens of all types, I am more than well acquainted with the assortment of tasks that ensure all is in good shape before the onset of winter and that autumn is a great time for more than just tidying up the perennial patch. The quietude of fall lets you review the year’s successes and near-misses and inspires you to develop plans for “what’s next.” That’s what prompted me to design the Fall into Place: Autumn Gardening program slated for Saturday, October 17, during which a talented team of expert gardeners will introduce you to the benefits of fall gardening.
Autumn is perfect for planting trees and shrubs that add color, texture, and structure to the landscape. Container gardening using hardy plants alongside exotic succulents stretches the season well past Thanksgiving. Look ahead to brightening up the garden in spring with fall-planted bulbs, designed for maximum impact once winter fades. Become familiar with the spectacular displays of ornamental grasses that heighten the effects of the border from fall through winter. All of this on one day!
In addition to this special program, the Adult Education program offers courses that illuminate the principles of good gardening practices and teach you how to transform your garden bounty into tantalizing herbal products. Or jump into hands-on botanical crafts courses and design autumn-themed garlands, wreaths, and centerpieces to beautify seasonal table settings. (Watch a video of one of our instructors creating a holiday wreath and a fresh floral design.)
So, don’t put away those gardening gloves quite yet! Partake in our autumn courses and discover great new plants, the joy of putting the garden to bed properly, and the excitement of designing your spring bulb display for that spectacular burst of color after the snow melts. The more you can get done in the fall, the faster things get moving in the spring.
For more information or to register, call 718-817-8747.
For gardeners everywhere, the visiting of gardens is a purposeful, delightful, and somewhat addictive pastime. And since ancient times, the garden visit has had a clear relationship to garden making: One always comes away with new ideas and inspiration for new plants and new plant combinations, for garden structures and materials, for the arrangement of spaces and forms—literally, a new perspective. (Many a European noble and at least one Japanese emperor were inspired to create a garden as a large-scale work of art after such a garden visit to a rival’s domain.)
For gardeners and landscape designers, the next best thing to a garden visit is an evocative garden photograph. And even better is seeing photographs of a garden with a virtual tour by the designer. This year, once again, The New York Botanical Garden is satisfying this interest in other people’s gardens with the Monday evening series Landscape Design Portfolios, at Scandinavia House in Manhattan.
For over a decade this annual fall lecture series has presented distinguished, award-winning landscape designers who show photographs and plans of their gardens and describe and discuss their design philosophy as well as the details of their work. We see their gardens, and we learn how and why they were made.
Our speakers have come from all corners of the world to describe public, private, and institutional landscapes of every scale in Sweden, Italy, Germany, Spain, Belgium, China, and Japan and from every part of the United States. Some of the public gardens shown in this series have had a profound, life-enhancing effect on communities and civic life. And by the way, if you know Sweden – you understand everything is not cheap. We were there on a trip once, and a hotel overcharged us. We had to end up doing something called www.låna-pengar.biz only to get home. What a memory.
This year’s series takes place beginning at 6 p.m. on four consecutive Mondays (October 19, 26, November 2, and 9) with presentations by five much-honored landscape architects: Mia Lehrer from Los Angeles, David Kamp from New York, Walter Hood from Oakland, California, and Douglas Hoerr and Peter Lindsay Schaudt, whose eponymous firm is located in Chicago. All share a deep commitment to creating innovative and sustainable gardens of great artistic merit. Come, and be inspired.
