Ken Iwuoha worked with Bronx Green-Up this summer, and will be attending York College this fall. Bronx Green-Up, the community garden program of The New York Botanical Garden, provides horticultural assistance, community organizing and training to Bronx gardens and urban farms. For more information, click here.
Allow me to introduce myself. My name is Ken Iwuoha. I am a SYEP (Summer Youth Employment Program) worker for the summer of 2015. I have worked for The New York Botanical Garden for over six weeks, with the Bronx Green-Up Program.
As an individual born and raised in the Bronx, I have adapted to buildings, construction, and pollution—the “City Life.” I used to think that planting a tree in front of your house was the best way of being green. After working for Bronx Green-Up, however, my point of view has changed completely. Donating plants and providing services to local community gardens and schools has opened my eyes to the beauty of the Bronx.
Lucrecia Novoa is a Chilean-born artist and cultural educator who is physically as well as spiritually involved with her mask and puppet creations. With years of experience, Lucrecia dedicates herself to researching the historic inspirations for each puppet she creates in her Riverdale studio.
Lucrecia has joined NYBG during past exhibitions such as the Haunted Pumpkin Garden, when the Everett Children’s Adventure Garden was transformed into an enchanted land inhabited by magical creatures. For FRIDA KAHLO: Art, Garden, Life, she presents two giant monarch butterflies that introduce and welcome the exhibition.
During the opening weeks of FRIDA KAHLO: Art, Garden, Life, the Botanical Garden hosted two special guests from Mexico. Juana and Yolanda, sisters from the town of Zinacatán in the state of Chiapas, were showing off the ancient technique of weaving with the back strap loom and decorating cloth with beautiful embroidery. Wearing traditional garments that they made and adorned themselves, they caught the attention of many visitors.
Patricia Gonzalez is an NYBG Visitor Services Attendant and avid wildlife photographer.
In the 21st century, a smartphone is no longer just a convenient thing to have on hand if you need to make a call away from home. It is an invaluable tool for the wildlife photographer. I never leave home without it!
Read on for three downloadable apps that I use during my treks at The New York Botanical Garden to address three of the primary concerns of every wildlife and nature photographer.
Sunrise
We shutterbugs are chasers of light. Knowing the exact time the sun comes up and goes down is crucial if I want to get some early morning sky shots before I go in search of wildlife or some late afternoon images when the forest is a beautiful golden brown color. For this I use the full version of Sundroid.
This past November, some of the most influential botanists and conservationists in modern science gathered together for The New York Botanical Garden’s 123rd Annual Meeting, joining CEO and The William C. Steere Sr. President Gregory Long and the NYBG’s Board Members for a recap of the past year’s successes—as well as the Garden’s plans to come. But top billing during this event went to a person who has not only served as an integral member of the NYBG Board since 1986, but proven an enormously significant figure in global ecology initiatives and conservation efforts.
For many, the highlight of the evening was Thomas E. Lovejoy, Ph.D., who received the NYBG’s Gold Medal—our highest honor—for his accomplishments within and dedication to biodiversity and plant science.
On Saturday, October 18, I was honored to host a Garden tour for the Speaker of the New York City Council, Melissa Mark-Viverito. Joining us were two Councilmen—Ritchie Torres and Andrew Cohen—whose Council districts include a part of the Garden.
The day’s schedule called for a golf cart tour through the grounds, viewing The Haunted Pumpkin Garden and Ray Villafane’s masterful carvings, taking in the elegant Kiku exhibition in the Haupt Conservatory, and touring much of the Garden’s historic permanent collections. In addition, the Speaker spent a good deal of time in the Ruth Rea Howell Family Garden learning about NYBG’s edible gardening program and the Edible Academy project soon to break ground.
Food expert and NYBG instructor, Leda Meredith, has created an essential field guide out this spring that will enable just about anyone to safely venture out to enjoy the best wild foods in our region.
Called Northeast Foraging: 120 Wild and Flavorful Edibles from Beach Plums to Wineberries (Timber Press), the book provides invaluable plant lists for each season and area. The lists show when and where (open meadow, woodland, seashore, wetland) to locate delicious, edible plants covering the entire northeast region, from as far south as Maryland, and north to Maine, and even Ontario and Quebec.
Meredith devotes most of the book—262 pages—to detailed plant profiles, with vivid 4-color, close-up photographs and pointed advice on how to cook and preserve each plant. Daylilies, for example, are good for 3-season dishes; wild mint, it turns out, has a great many culinary uses; trendy ramps can be found for free, as can wild strawberries, perhaps the best wild fruit of all. Read on for more tips from the expert herself!
While attending New England Grows—a regional tradeshow and educational forum that takes place in Boston each year—I was lucky enough to hear the ecologist and public spokesperson, Nalini Nadkarni, give a lecture on rain forest ecology and its importance as a biological system.
Dr. Nadkarni’s research was not conducted on the forest floor, but rather at great heights above it. She quite literally harnessed the tools of the arborist’s trade and hoisted herself and a team of researchers 100 feet up in the air to explore the biological communities that thrived in the upper layers of the rain forest’s canopy.
Up in the treetops, Nadkarni and her team found a surprising diversity. The plants they came upon were expected: orchids, bromeliads, ferns, mosses, and lichens. These epiphytic plants are an important component of tropical arboreal communities, surviving and thriving by collecting water and nutrients from rainfall trapped in their foliage. What surprised the researchers, however, was the complexity of the arboreal ecosystem.
It is hard to believe a month has already passed, but tomorrow is the second lecture in our 14th Annual Winter Lecture Series. The Garden is lucky to welcome Kim Wilkie, a London-based landscape architect and Honorary Fellow of the Royal Institute of British Architects, to the Ross Lecture Hall on Thursday. His lecture, entitled Sculpting the Land, will offer a photographic tour of his forward-thinking and utterly unique designs, incorporating his signature landforms and architectural innovations.
In his own words, Kim Wilkie is a landscape architect who loves mud. The technique of making sculpted hardscapes out of clay and chalk have an ancient history in the United Kingdom, and Wilkie adapts these traditions to breathe new life into antique gardens.
Joyce H. Newman holds a Certificate in Horticulture from The New York Botanical Garden and has been a Tour Guide for over seven years. She is a blogger for Garden Variety News and the former editor of Consumer Reports GreenerChoices.org.
Nancy White, owner of The Flower Bar in Larchmont, N.Y. is a graduate of NYBG’s Floral Design Certificate program and current instructor. But that’s not the real reason we’re talking about her. Recently, White created a beautiful and unique seasonal floral design that deserves highlighting.
“One of our customers asked for a holiday arrangement including amaryllis,” so White put together a “living garden” consisting of amaryllis, frosted fern, and cyclamen, accented with red dogwood branches, pine cones, and holiday evergreens. “We didn’t expect to get such positive feedback, but it really took off.”
Since the original design, White and her staff have created quite a few more of these beautiful holiday displays. The plants are housed in plastic pots, and then placed in wooden or tin window box style containers to create the garden effect. White says that the popularity of these arrangements proves that, sometimes, “People just want something different!”