2011 was less than two weeks old when we announced our Caribbean Garden Photo Contest. After receiving hundreds of submissions and a meeting a whole new batch of flickr friends, your votes narrowed it down to twelve finalists in the categories “sense of place” and “macro.”
Well, the results are in. Your Flickr friends voted with their comments and here are your winners!
Macro Category Winner
By kathleenpimm
Sense Of Place Category Winner
By youngsol
The lucky winners will recieve a spot in an upcoming spring semester photography class offered by the Garden’s Adult Education Program.
Thanks to everyone who participated! What did you think of the contest? How can we make it better? What would you like to see? Let us know in the comments below!
So to show you how much we love you and your photos, we’re offering half-off admission for a limited time, holding Saturday afternoon photography tutorials, and we’re throwing a photography contest in honor of our latest exhibition, Caribbean Garden which opens on Saturday. The contest will have two categories: Macro and Sense of Place, and the winner in each category (two total) will get a seat in a spring semester photography class! (See all the details here).
There’s just a few things to remember:
Tripods are not allowed inside the Enid A. Haupt Conservatory.
To be eligible a photograph must have been taken during the course of the Caribbean Garden.
Photographs entered into the contest should have Caribbean Garden as their main theme.
To vote, you do not need to be a member of the Flickr community, but you will need a free Yahoo or Google account.
In case of a tie, we’ll convene a panel of NYBG experts to pick a final winner!
So get your shutter finger warmed up, dust off your lenses, charge up your batteries, and get ready to snap some pictures! And please, if anything is unclear, let us know in the comments below. We hope you’re as excited as we are!
Called a “landscape guru” by Architectural Digest, and lauded with National and New York Honor Awards by the American Society of Landscape Architecture, Edmund Hollander is one of New York City’s biggest names in residential landscape design. He’s also an alum of NYBG’s School of Professional Horticulture.
Hollander designs gorgeous green spaces of repose from the Hamptons to Hong Kong. His award-winning work is recognized for its attention to detail—both in terms of the design and in the environmental appropriateness of each site. In advance of his October 25 lecture, The Good Garden: Thoughts on Residential Landscape Design at NYBG, we asked him to share a few thoughts on successful garden design.
It’s back! Our annual winter photography contest returns to the Enid A. Haupt Conservatory with the opening of Tropical Paradise Saturday, January 19! Tropical Paradise–a reinterpretation of the Conservatory’s lush permanent collections–is the perfect way to shake off the winter doldrums and exercise your photography skills.
In addition, glean inspiration from the award-winning photographers of the International Garden Photographer of the Year contest. Taken in gardens around the world, these prize-winning photos will be on display alongside plants from the tropics throughout the Conservatory. Enjoy the beautiful photographs and access additional information on the photographers, their inspiration, and the techniques they used to capture these stunning images by simply scanning a code on each sign with your smartphone. And on Sundays, join one of two accomplished photographers for a brief course on the basics of garden shooting.
2012 Sense of Place Grand Prize Winner: Mika Sato’s serene shot of the Aquatic Plants Gallery
NYBG Caribbean Garden by Mika Sato
The contest is run on NYBG’s Flickr Group Pool, and this year it’s easier than ever to enter because Flickr has launched a fabulous new iPhone app that allows anyone to enter seamlessly and easily. Grab your camera or your phone and head to the sultry warmth of the tropics, capture the beauty you find, and you just might win one of two grand prizes: A photography class taught at the NYBG!
What started out as a trickle has surged into a flood, and now, in the final week of the Caribbean Garden photo contest, we find ourselves with piles of inspired photography to wade through. Despite the challenge of trying to ferret out the best photos in each category among a disagreeing cadre of jurors, we’re nonetheless having fun with it. Just seeing each of our competitors returning week after week to scrap for the proverbial crown is immensely gratifying. And the photos themselves trump all!
But as the last of this year’s Caribbean Garden events approach, the mood around here is bittersweet. Even with salsa classes bidding a fond adieu, and our photography workshops packing it up until next year, the momentous transition to the flamboyant wonder of Patrick Blanc’s vertical gardens fills the gap in fine form. Beginning Saturday, March 3, we fling open the doors of the Conservatory to unveil the 10th anniversary Orchid Show. Until then, you’ll be catching glimpses of the goings-on under the glass dome as we festoon our displays with the final, all-important touches.
But, we know that not everyone can get here easily. So we got together with Rich in the Conservatory and filmed this short video tutorial, the first in what will be a five-part series. We hope you like it!
Do you have a burning question garden photography question that we can pose to Rich? Maybe your question will turn into the next tutorial! You can leave your suggestions in the comments.
Brian M. Boom, Ph.D., is Director, Caribbean Biodiversity Program, and Melissa Tulig, is Associate Director of the Herbarium at The New York Botanical Garden.
The Orchid Show: Cuba in Flower in the Enid A. Haupt Conservatory provides an excellent occasion to draw attention to the Botanical Garden’s long history of plant exploration in Cuba and the Garden’s current scientific activities on the largest and most biologically diverse island in the Caribbean.
Beginning in 1903 and as recently as October 2009, the Garden has collaborated with Cuban botanists and institutions in documenting and studying the Cuban flora, collecting more than 20,000 specimens on 23 expeditions. The Garden’s research in Cuba is active and ongoing.
(The black-and-white photo above from the Mertz Library Archives is from an expedition to the Isle of Pines in Cuba led by the Garden’s founder Nathaniel Lord Britton in 1916. The photo below, by Garden scientist Fabián A. Michelangeli, Ph.D., is from the most current expedition and shows Garden scientist Wayt Thomas, Ph.D., at left, with his Cuban student Waldo Bonet collecting sedges.)
One good way to tell this story of more than a century of plant exploration in Cuba is through the more than 12,500 digitized specimen records currently available via the Garden’s C.V. Starr Virtual Herbarium. Some newly created Web features allow easy access to these data, and we recommend trying the following to explore the Garden’s history in Cuba and some of the plant diversity on the island as told by the specimens.
Brian M. Boom, Ph.D., is Special Assistant to the President and Director of the Caribbean Biodiversity Program at the Garden.
I have been around The New York Botanical Garden and involved in its scientific enterprise in one way or another for nearly three decades. Until now there has never been a publication as comprehensive as the one released last month that provides an overview of how the Botanical Garden’s scientific mission is realized. Scientific Research at The New York Botanical Garden features beautiful full-color photographs of work conducted both in the field and laboratory with informative text about current projects and facilities. It can currently be downloaded online.
Following the Preface by the Chairmen of the Garden’s Botanical Science Committee, Edward P. Bass and George M. Milne, Jr., Ph.D., and Introduction by James S. Miller, Ph.D., Dean and Vice President for Science, the book is organized as Research Facilities and Collections; Research Programs and Projects; Faculty Research Profiles; Results Shared with the World; and Training, Science Education, and Collaboration, including lists of selected research grants and faculty publications.
One of the best ways to get to the heart of the Garden’s scientific activities is to browse through the research profiles of the 32 Ph.D. faculty members who comprise the core of the Garden’s scientific staff and who are assisted in their programs and projects by postdoctoral researchers and doctoral students. The team is further enhanced by Honorary Curators and Research Fellows and hundreds of additional local, national, and international collaborators.
Readers will learn about the state-of-the-art research and collections facilities located on a 23-acre science campus within the Garden’s 250-acre landmark grounds as well as in far-flung field locations around the world. Research results, many serving to inform plant conservation and sustainable development policies, are regularly disseminated through books and journals of The New York Botanical Garden Press and increasingly via electronic catalogs and publications available from our C.V. Starr Virtual Herbarium.
For those who want to discover even more, consider attending special lectures and symposia offered by the Garden, signing up for a Continuing Education class, or participating in the ecotour Ten Days in Brazil (October 10–21, 2009). Readers inspired to support the Garden’s scientific activities by volunteering and/or making a donation can learn how by clicking here.
Judging from our Morning Eye Candy posts, you might think the unconscionably talented Ivo Vermeulen is one of only a few people on NYBG grounds gallivanting about with a camera in tow. He’s certainly prolific enough. But if you follow us from day to day, you’ll come to notice that photography in general is a core interest here at the Garden. There are so many colors, shapes, and fantastical landscapes on these 250 acres to share with the rest of the world, and we’re encouraging anyone and everyone to jump in with their gear of choice–smartphone, fully-fitted Nikon, homemade pinhole or otherwise.
Ceratostema silvicola (Photo courtesy of Meri Shaffer)
Far south in the Pine Barrens of New Jersey, where the sandy flats aren’t struck through with creeks, you’ll find parcels of land dedicated to row upon row of scraggly bush. It’s the antithesis of a tropical landscape; like large-scale agriculture in the midwest, the skies over these tended fields are big and empty, with the occasional conifer contorting itself under and around a telephone wire near the bordering dirt roads. The pine woods sit further off.
In the winter it’s a vacant space save for the blueberry bushes. But these berries have a relative of a more tropical disposition. Perhaps not down in southern Jersey, but here in the Enid A. Haupt Conservatory, certainly.