This post is a bit of an anomaly for our “What’s Beautiful Now” series. Usually, we cobble these together to show our fans and visitors what’s worth slipping into the agenda during a trip to the NYBG; each post is a rundown of what you should go and enjoy at its peak flower or aroma, depending on the season. But some of the collections we have growing here at the Garden aren’t always open for public consumption–not yet, anyway. They’re too early in their growth, or still being primped for coming exhibitions. And most of these plants fall within the purview of the Nolen Greenhouses for Living Collections, where preparation begins for coming events many months (if not years) before opening day rolls around.
Seeing as I already teased you this past weekend with some of the jungle jewels sprouting up under the glass of the Nolen Greenhouses, I figure there’s no reason to keep the rest of Ivo’s recent photo shoot cooped up in our files. Standouts among the photos taken are easily the orchids, a few of which we expect to steal the spotlight in 2013’s spring Orchid Show. And while we can’t spill the entire layout of the exhibition just yet, I’m all too happy to pass along a gallery of eye candy in the meantime.
As a former Broadway performer, professional garden photographer, and writer, Ellen Zachos is a very talented NYBG instructor whose container gardening class comes alive with gorgeous slides and dynamic presentations.
Ellen’s career as a gardener began when she got her very first plant–rather than a bouquet–as an opening-night gift, after performing in a Florida dinner theater production of Fiddler on the Roof.
“It was a Spathyphyllum, an ordinary peace lily,” she says, “but to me it was wonderful. I was intrigued, and I had never grown anything. My desire for knowledge just took over. My apartment filled with houseplants and books.”
She went on to study Commercial Horticulture and Ethnobotany at NYBG. After receiving her certifications, she authored several gardening books and founded Acme Plant Stuff in 1997, a company that designs, installs, and maintains both interior and exterior gardens.
Last week we discussed basic orchid care and explored how to assess your home as a suitable place for growing orchids. This week we will grab our wallets and talk about buying an orchid. You may have noticed that orchids are not cheap. Their price has dropped measurably over the past decade due to tissue culture and the ability to produce orchids on a mass scale. But even with all of these advances in propagation techniques, they still command a decent price.
If you are spending between $20 and $50 on an orchid, you will probably want it to last for some time in your home. Following a few simple guidelines will help you ensure that your orchid flourishes. I am frequently asked if it matters where you purchase your orchid since this often influences the price. High-end florists and nurseries will have a better selection with many exotic and unusual varieties. Big box stores will have a limited selection of the standard fare.
To the chagrin of my more tropically-inclined colleagues, I have been resisting the temptation to sing the praise of dendrobiums for years. “Give me an oncidium any day,” I used to exclaim. “They are easier to grow and I will not kill them!”
Initially, it was true… I had issues with dendrobiums. If the vegetative growth (foliage and pseudobulbs) in many orchids is fairly unattractive when they are out of bloom, the cane dendrobiums are positively ugly.
I do not like them in bloom; I do not like them out of bloom; I do not like them Sam-I-am with green eggs and ham! I was adamant. They looked like mutant orchids, outcasts in an otherwise pulchritudinous family–the Orchidaceae.
Last week we were discussing vertical gardens, or “living walls,” a specialty of French botanist Dr. Patrick Blanc. Since we are now in the midst of our spring Orchid Show, today we will explore why orchids are such good candidates for vertical gardening. With somewhere in the area of 70% of all orchids being epiphytic, members of the Orchidaceae family were destined to climb.
Orchids that dangle in the air–sometimes known colloquially as air plants–are classified as epiphytes. Epi- means “on top” and -phyte means “plant”–essentially growing on top of another plant. The relation the epiphyte has with the host is not parasitic (where it is harming the host), nor is it symbiotic/mutualistic (where both parties benefit), but rather commensalistic (where one benefits and the other is neutral). The term commensalism is derived from the Latin meaning “sharing a table.”
Do you think orchids are like dalmatians–born white–only to develop their spots after a few weeks? Learn the answer to all your burning orchid questions during History and Mystery of Orchids, a series of public lectures, Q&A sessions, and more during The Orchid Show: Patrick Blanc’s Vertical Gardens, opening Saturday, March 3.
The Garden is open today, Monday, for the last day of The Orchid Show: On Broadway. So get here before all the beautiful flowers become just another memory until next year.
In the immortal words of Marta from The Sound of Music “So long! Farewell! Auf Wiedersehen, goodnight! I hate to go, and leave this pretty sight!” This weekend is your last chance to visit The Orchid Show: On Broadway before the curtain closes and we’re forced to bid adieu for another year. Get your tickets now, The Orchid Show: On Broadway closes on Monday, April 25!
This post is a bit of an anomaly for our “What’s Beautiful Now” series. Usually, we cobble these together to show our fans and visitors what’s worth slipping into the agenda during a trip to the NYBG; each post is a rundown of what you should go and enjoy at its peak flower or aroma, depending on the season. But some of the collections we have growing here at the Garden aren’t always open for public consumption–not yet, anyway. They’re too early in their growth, or still being primped for coming exhibitions. And most of these plants fall within the purview of the Nolen Greenhouses for Living Collections, where preparation begins for coming events many months (if not years) before opening day rolls around.
