Stella Sylva

Digitizing in the Dominican Republic

Posted in From the Field, Travelogue on April 23, 2015 by Stephen Gottschalk

Stephen Gottschalk, a former Project Coordinator for the William and Lynda Steere Herbarium, is now a graduate student in the Commodore Matthew Perry Graduate Studies Program at The New York Botanical Garden.

Though many botanists specialize in Caribbean flora, few have so thoroughly documented the plant life of a single island, especially a large one, as has Thomas Zanoni, Ph.D., who lived and worked in the Dominican Republic for 13 years. His collections number in the tens of thousands and come from nearly every corner of Hispaniola, which comprises the countries of Haiti and the Dominican Republic.

Last year, my colleagues Stella Sylva and Brandy Watts and I traveled to the Dominican Republic to work on a project at the Dr. Rafael M. Moscoso National Botanical Garden (Jardín Botánico Nacional Dr. Rafael M. Moscoso) in Santo Domingo. Our purpose was to image the field books of Dr. Zanoni.

Making a collection as large as Dr. Zanoni’s digitally available to botanists across the globe is challenging. If one person were to work 40 hours a week typing out the information on each of his specimen labels, the job would likely take more than a year. Of course, that doesn’t include the time it would take to first find each of Dr. Zanoni’s 30,000-plus specimens, which are dispersed throughout not only our 7.4-million-specimen William and Lynda Steere Herbarium but also herbaria in other countries.

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In Search of the Flowers of the Amazon

Posted in Nuggets from the Archives on March 19, 2014 by Stella Sylva

Stella Sylva is an Administrative Curator of the William and Lynda Steere Herbarium at The New York Botanical Garden. Each Wednesday throughout Women’s History Month, Science Talk will celebrate one of the many women of science to have left a mark on botanical history.

Margaret Ursula Mee (1909-1988) was an English woman who, in the 1950s, traveled the Amazon’s rivers and explored the forest at a time when women simply did not do those things. She marveled at the richness of the flora in Brazil, and over the next three decades made a total of 15 expeditions, documenting with her brushes and pencils the flora and fauna of the Amazon.

Her formal art training was in ceramics and sculpture, though her botanical paintings were totally different from the three-dimensional art she created. She rendered the strength and beauty of the human form with great energy. By contrast, her paintings of plants are carefully detailed and accurately depict the botanical structures of the highly diverse flora of the Amazon. It was as if she entered the heart of the objects she painted.

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